A Man Who Tells No Stories

(An exploration of war and silence)

@ The Pinch

Written as Malaria Hit

(A trip to find Baka living deep in the Central African rainforest)

@ Tahoma Literary Review

Recent prose acceptances at Southern Indiana Review, The Pinch, HAD, Tahoma Literary Review, one of three finalists in the Arts & Letters Unclassifiables Contest, and a finalist in the CutBank Big Sky, Small Prose Contest.

From Words Without Borders: “Prada Marfa, with its designer shoes and handbags displayed on the empty highway, might make for interesting art, but it makes for poor history. The installation is art because it does not belong, because it creates a juxtaposition between frivolous consumerism and the town of Valentine, which is a sad, shuttered, and nearly jobless place not so different from the town Marfa could have been. If we treat Marfa as little more than an exotic playground for art geniuses, we recreate the ethos of Prada Marfa within ourselves. And we risk that lifelong residents will say, as Rousseau quoted Seneca, “Ever since the Learned have begun to appear among us, good Men have been in eclipse.” Those of us not born in West Texas can try to make the memories, of those who were, our own. Then the place might become ours, too.”


A Memoir

The Last Great Ape, published by Pegasus Books and co-written with Ofir Drori, is a story of adventure and activism: “I met a Maasai with scars across his chest, slashing scars from a lion’s claws. The bravest warrior would kneel in front of the charging lion, plant the dull end of his spear in the ground, the shaft gripped in his hands, blade pointed outward at his face. And he would wait for the lion’s attack, wait for the lion to lunge and impale himself on the spear, as he learned whether he had the courage to hold himself still. The Maasai stood before me, chest gleaming, his scars so long and thick he’d almost been sliced in half. I wasn’t going to the academy to study biology or physics after the army. Not anymore. I was headed straight for the teeth and the claws.”

Selected Readings

  • "Killing Dun" by David McDannald, a notable essay in Best American Essays 2019, euthanizing a dear horse

    "Killing Dun" (Essay)

    A notable essay in Best American Essays 2019, “Killing Dun” traces the last days of a beloved horse on a West Texas ranch.

  • Glimmer Train fiction about a man stealing child soldiers from a war

    "Stealing Chickens" (Fiction)

    A short story of intermingled voices about a man rescuing child soldiers from the war in DRC. Co-editor Linda Swanson-Davies wrote, “It’s unlike anything we’ve ever published, but it’s so much more than unique—it’s significant.”

  • An essay by traveler David McDannald, about a Maasai teenager confronting warriors still connected to the tribes older ways.

    "Letter from Maasailand" (Essay)

    David joins a modern Maasai teenager confronted by Maasai warriors still living within older traditions.